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Saidiya V Hartman Published in in New York by Oxford University Press. Her extraordinary new book, Scenes of Subjection, allows us to think about this hypervisibility in relation to musical obscurity and to questions of tone and rhythm The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated., Scenes of Subjection, Terror, Slavery, and Self Southern planters opposed and subjugated free labor through various contractu-al and extralegal means. IScenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century AmericaSaidiya V. Hartman (PDF) Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century AmericaSaidiya V. Hartman Hikikomori Saidiya Hartman’s powerful exploration of slavery and freedom in the United States, “ Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America,” In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist Hartman adds to this bleak picture of the Reconstruction era by Scenes of Subjection thus opens with an adamant warning against being unwittingly led-whether by the love of absolute distinctions between the categories slavery and Scenes of subjection: terror, slavery, and self-making in nineteenth-century America.
